Register your songs. Collect every royalty.
BMI, ASCAP, SoundExchange and all global mechanical royalties in more than 140 countries worldwide.
Everything your songs need. One place.
From the moment you release a song to the moment royalties land in your account — we handle it all.
BMI & ASCAP registration
Your songs are registered with the US performance rights organizations so they get paid when played on radio, TV, bars, concerts and streaming.
SoundExchange
Your releases are submitted to collect digital radio royalties from Pandora, SiriusXM and webcasters across the US.
Global Mechanical Royalties
Direct collection of your mechanical royalties from Spotify, Apple Music, Amazon and all major digital services — US and worldwide.
Global collection — 140+ countries
Through our new partnership with a major US publishing administrator, your songs will be registered and your royalties collected in more than 140 territories worldwide.
Sync licensing
Your songs licensed for film, TV, streaming series and advertising campaigns — new revenue streams for your catalog.
One dashboard for everything
Every royalty from every source — shown in your Mh Musik account. One statement every month. Full transparency.
Wherever your songs are played, we collect.
Through our global partnership (coming soon), your royalties will be collected in more than 140 territories — direct memberships at the biggest societies and local sub-publishing partners for the rest.
The lowest commission in the industry.
Our commission depends on your membership. And it is only applied when you receive your money — never baked into the shares we register at BMI or ASCAP.
The industry-standard way to register songs.
BMI, ASCAP and the global agencies all require the same format: 50% writer, 50% publisher. This is how every major publisher does it.
Some PROs use a 200-point scale (like BMI) — it looks confusing, but it is the standard way they show ownership. You still own 100% of your song. The writer share is paid directly by your PRO (BMI, ASCAP, etc.) to your account with them, as always. The publisher share is collected by us and paid to you through your Mh Musik account.
Other PROs (ASCAP, SESAC, SGAE, etc.) use a 100-point scale, so there you will see 50% writer / 50% publisher. The ownership and payment flow are identical.
- 1You release a song
You upload your release to Mh Musik — audio, artwork, metadata, writer credits.
- 2We register it correctly
50% writer / 50% publisher — the standard format your PRO (BMI, ASCAP, SESAC, etc.) and all global agencies require.
- 3Royalties come in from everywhere
Every stream, every spin, every TV show, every sync — collected from 140+ countries.
- 4You collect everything
Your writer share is paid directly by your PRO (BMI, ASCAP, SESAC, etc.) to your BMI or ASCAP account, etc., as always. The publisher share — plus mechanical, sync, SoundExchange and global royalties — is collected by us and paid to your Mh Musik account. Combined, you get 100% of what your song earns, minus just the small commission from your membership.
One account. One statement. Every month.
No more chasing different websites. No more missing royalties from countries you have never heard of. Everything flows automatically.
Most artists lose money without knowing it.
Songs that are not registered in half the countries where they are played. Services that collect from one or two sources. Small royalty streams nobody tracks — but they add up to real money over time.